The sound is at times symphonic and at times melodic (sometimes more melodic than progressive!). Something that fills a bit that lack of musical coherence of the first part. A much more European sound, and here the vocals do make a beautiful connection! Reminded me of the "peace after the war" musical concept found on albums like "Halloween" or "Relayer", although inĪ quite different context. Sounds and the song moves on to inhabit a new space of temper where there has just been a great clash of energies. Side 2 continues synchronized with side 1 as it is the same song, and after a few seconds its aura evolves through airy This is noticeable when there are no vocals and the successive musical beats invade the listener's ear infecting it withĮuphoria and immersing it in an ocean of solos, an effect that does not succeed with the separate voice as the The instruments never manage to get along properly with the vocals in my opinion, and
It is also true that the energy is successfullyĬharged as the song goes on. There are many instrumental fragments that are repeated a lot and feel like filler, lowering the quality a bit and slightlyĭeteriorating the "epic song" stamp that the band seeks to achieve. The lyrics detachįrom the melody several times, getting out of the habit of balancing the sense between what is said and what is played. Of Premiata Forneria Marconi influence, specifically highlighted in the keyboards and acoustic guitar. This first part is shaped and structured through divisions that contribute to the catch that the band is looking for. This does not mean that they use them for it, but The song looks for the popular sound by means of rhythm breaks. The organ arrangements give it an impression somewhere between melancholic and Notes that are sung with fervor and chest voice (similar to those of the SBB vocalist). The vocalist presents a warm but passionate voice, with those high
Own atmosphere by the time the vocals come in. The instruments are added little by little and experienced melodies are landing on it in order to have their The song begins with a growing and interesting riff whose style is a curious and intriguing miscellany between hard andĭark rock. Where they have found and concretized the sound they were looking for. Onde, Quando, Como, Porque, Cantamos Pessoas Vivas is Quarteto 1111's third and latest studio album, the piece
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